Friday 31 October 2008

Afterposts (03)

Hello, some saturdaynight dance rockin' beats to consider here , the big beats city of dreams gave us DFA and they are behind the success..specially in the UK... of The Rapture, i throw in a Big Fuckin' Beats compilation with plenty of technobreaks..dont''t go crashing your car playing it...


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The Rapture - Echoes ( 03 ^ 99mb)

The Rapture formed in 1998 by keyboardist Chris Relyea, drummer Vito Roccoforte and guitarist/vocalist Luke Jenner. In 1999 the band released its debut 'mini-album', Mirror. Following this release, the band relocated to New York. They were finally joined by Matt Safer having gone through five keyboard players and two bassists in an eighteen-month period. After touring extensively for two years, the band released the six-song EP Out of the Races and Onto the Tracks on the Sub Pop label. The Rapture were forerunners of the post-punk revival of the early 2000s, as they mixed their early post-punk sound with electronic and dance elements via their collaboration with the celebrated New York production team DFA. Multi-instrumentalist Gabriel Andruzzi joined the band in 2002. Their first full-length record, Echoes, it showcases a more sophisticated, restrained, and successful take on the fusion of guitar riffs and electronic beats. The reckless, wounded-heart abandon found in the lyrics, combined with the infectious grooves coursing throughout the album, still lead back to the dancing frenzy fans expect. Echoes was released to critical acclaim in 2003, including album of the year by pitchforkmedia.com.

In 2004, the band released a DVD, Is Live, and Well, in New York City through DFA Records/Mercury Records Limited. They released their second full-length album, Pieces of the People We Love in September 2006. Paul Epworth, Ewan Pearson and Danger Mouse produced the album. The new album displays a more polished and markedly less angular sound to their previous work, receiving a mixed critical reception. The Rapture supported The Killers on the London leg of their tour at the Carling Academy Brixton from 26 November 2006 to 28 November 2006 and Daft Punk on the North American leg of their tour in 2007.

Their song, “Whoo! Alright, Yeah…Uh Huh” is the official anthem for Red Bull New York of Major League Soccer. The same song is used on the EA sports game Madden 2007 under the name "W.A.Y.U.H"



01 - Olio (5:20)
02 - Heaven (3:47)
03 - Open Up Your Heart (5:22)
04 - I Need Your Love (4:39)
05 - The Coming Of Spring (2:42)
06 - House Of Jealous Lovers (5:04)
07 - Echoes (3:17)
08 - Killing (3:37)
09 - Sister Saviour (3:46)
10 - Love Is All (4:15)
11 - Infatuation (5:01)

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VA - Big Fuckin' Beats (00 ^ 181mb)

There are some quite heavy beats to be heard, but mostly not in the ‘big beat’ vein but big beat techno on this compilation (think prodigy) Still a varied and quality compilation. Test your speakers capacity or whats left of your hearing...



01 - Dark Globe - Take Me To The Sound (9:26)
02 - Blake - Doctors, Dentists & Architects (5:37)
03 - MLO - The Garden (4:40)
04 - Biological - Amatory (6:29)
05 - Hookian Mindz - Freshmess (Bandulu Remix) (7:58)
06 - Dylan Rhymes - Lock And Chamber (4:27)
07 - Renegade Soundwave - Blast'em Out (4:08)
08 - Freshmess On Wax - Real Phunk (Ian Pooley Remix) (8:55)
09 - Silicon Valley Def Stars - Believer (7:18)
10 - Soulful Distortion - Dial 911 (6:10)
11 - Kid Unknown - Devastation Beatcreator (Instrumental) (6:55)
12 - Plump DJs - Remember My Name (6:48)

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VA - Big Fuckin' Beats ( 99mb)

Thursday 30 October 2008

Avril Lavigne Dead

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Wednesday 29 October 2008

Phillies Take Series 4-1

Amidst some of the worst umpiring in years, and despite rugby weather and a three-day game, the Philadelphia Phillies have won the World Series, 4 games to 1. It's their first World Series win since 1980, and second in their 120 year history. The Most Valuable Player was starting pitcher Cole Hamels.

Pedro Feliz
Philadelphia Phillies' Pedro Feliz singles off Tampa Bay Rays relief pitcher Chad Bradford to drive in Eric Bruntlett during the seventh inning of Game 5 of the baseball World Series in Philadelphia, Wednesday, Oct. 29, 2008. (AP Photo/Charles Krupa)

The Tampa Bay Rays have the nucleus of a multi-year playoff team, if they're willing to keep these exciting young players on staff. With better, timely hitting, and competent umpires, they could have held their own.

Unfortunately for the Phillies or fortunately for the Rays, hardly anyone watched. The Houston Chronicle points out that viewership was abysmal (an 8.4 rating and 14 share), lower than the dismal 10.1 rating for the Cardinals-Tigers series in 2006 (which the Cardinals won, by the way). Short series are ratings killers, and small market teams (i.e., someone other than the teams based in New York, Los Angeles, Boston, Chicago, etc.) draw fewer viewers. The weather issues didn't help. Perhaps doubling up on a few more double headers to trim the regular season might be a plan, though it would mean less money in owners' pockets.

I just hope Bud Selig, a font of bad leadership, doesn't decide to follow the NFL's lead and picking AL and NL domed or warm-city stadia might be a good idea for the Series. Could you imagine if the Cubs finally made it to the World Series with a team that looked capable of winning it all, and then their poor fans realized they had to travel to Anaheim or Atlanta or Miami to see them play?

Halloween

Hello, as deletions continue (20 pages thusfar) i've been thinking what to do about it, as the persons responsible remain anonymous and refuse to simple ask to remove the offending item. You'll find more about all this at Transgloballs together with a tip how you can be independent of Google actions against (music)blogs Check it out !.

Halloween has its origins in the ancient Celtic festival known as Samhain.The festival is a celebration of the end of the harvest season in Gaelic culture, and is sometimes regarded as the "Celtic New Year". Traditionally, the festival was a time used by the ancient pagans to take stock of supplies and slaughter livestock for winter stores. The ancient Gaels believed that on October 31, now known as Halloween, the boundary between the alive and the deceased dissolved, and the dead become dangerous for the living by causing problems such as sickness or damaged crops. The festivals would frequently involve bonfires, into which bones of slaughtered livestock were thrown. Costumes and masks were also worn at the festivals in an attempt to mimic the evil spirits or placate them.



Now then, i'm not really into halloween but i had this album on standby for sometime and thought by myself...Edgar Allen Poe the man who wrote gothic horror stories and ended miserably like a true great writer he was. Those were the days..anyway it inspired Alan Parsons and Eric Woolfsun to put his writing to music and even though concept albums had been declared out at the time, managed to convince enough people-like me to buy the album and make it a goldrecord...11 years later after the Alan Parsons prokject had been closed , he got to partially rerecord/remix the album, including a voluntairy contribution by Orson Welles, all for the CD release...both are here now, last year a remasterd double pack of both versions was released. I've added a reading of The Raven by actor Christopher Walken to both versions.


In October 1967, at age 18, Parsons went to work as an assistant engineer at Abbey Road Studios, and first garnered significant industry exposure via his work on the Beatles' 1969 masterpiece, Abbey Road. Parsons subsequently worked with Paul McCartney on several of Wings' earliest albums; he also oversaw recordings from Al Stewart, Cockney Rebel, and Pilot, but solidified his reputation by working on Pink Floyd's Dark Side of the Moon. He was known for going beyond what would normally be considered the scope of a recording engineer’s duties. He considered himself to be a recording director.

He founded The Alan Parsons Project with producer and songwriter (and occasional singer) Eric Woolfson in 1975. The Project consisted of a revolving group of studio musicians and vocalists, most notably the members of Pilot and (on the first album) the members of American rock band Ambrosia. Unlike most rock groups, the Project rarely performed live, although they did release a number of music videos. After releasing ten albums, the Project dissolved after 1987, and Parsons continues to release work in his own name and in collaboration with other musicians; Parsons and his band now regularly tour many parts of the world.

The Project debuted in 1975 with Tales of Mystery and Imagination, a collection inspired by the work of Edgar Allan Poe; similarly, the science fiction of Isaac Asimov served as the raw material for 1977's follow-up, I Robot. With 1980's The Turn of a Friendly Card, a meditation on gambling, the Alan Parsons Project scored a Top 20 hit, "Games People Play"; 1982's Eye in the Sky was the Project's most successful effort, and notched a Top Three hit with its title track. While 1984's Ammonia Avenue went gold, the Project's subsequent LPs earned little notice, although records like 1985's Vulture Culture, 1987's Gaudi, and 1996's On Air found favor with longtime fans. Time Machine followed in 1999. After taking a five-year hiatus, Parsons returned in 2004 with A Valid Path.

As well as receiving gold and platinum awards from nearly every country in the world, Parsons has received eleven Grammy Award nominations for engineering and production. In 2007 he received a nomination for Best Surround Sound Album for A Valid Path. As of 2007, he tours under a revised name, The Alan Parsons Live Project, presenting world-spanning concerts performing material from his most recent album as well as selections from the original Project.

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Parsons, Alan - Tales Of Mystery And Imagination V (76 ^ 98mb)

The album is an insight into the life of American writer and poet Edgar Allan Poe (1809-1849), as seen through the eyes of Parsons and Eric Woolfson, an admirer of Poe's work and at whose instigation the Project (as it was titled during its embryonic stages) was undertaken. The lyric content of the album incorporates many adaptations of Poe's work.

The album's avant-garde soundscapes kept it from being a blockbuster, but the interesting lyrical and musical themes — retellings of horror stories and poetry by Edgar Allan Poe — attracted a small audience. Critical reaction was often mixed.
This album was released in U.K. originally with a different name. Simply called "The Alan Parsons Project" it was successful enough to achieve gold status but later that year the same album was released under the name of "Tales of Mystery and Imagination"



01 - A Dream Within A Dream (3:43)
02 - The Raven (Voc.Leonard Whiting) (3:58)
03 - The Tell-Tale Heart (Voc.Arthur Brown) (4:42)
04 - The Cask Of Amontillado (Voc.John Miles) (4:29)
05 - The System Of Doctor Tarr And Professor Fether (Voc.John Miles) (4:12)
 
The Fall Of The House Of Usher ( 06 -10) (15:13)
06 - Prelude (5:51)
07 - Arrival (2:36)
08 - Intermezzo(1:06)
09 - Pavane (4:44)
10 - Fall (1:07)
11 - The One In Paradise (Voc.Terry Sylvester)(4:21)
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Christopher Walken reads Edgar Allan Poe's The Raven (8:29)



Parsons, Alan - Tales Of Mystery And Imagination (87 ^ 99mb)

In 1987, Parsons completely remixed the album, including additional guitar passages and narration (by Orson Welles) as well as updating the production style to include heavy reverb and the gated drum sound of the 80s. The CD notes that Welles never met Parsons or Collaborator Eric Woolfson, but sent a tape to them of the performance shortly after the orignal album was released in 1976. The original multitrack masters were transferred from a Soundcraft "Saturn" analog machine to a Sony 3324 DASH format 24 track recorder. May and June 1987



01 - A Dream Within A Dream (Instrumental) (4:13)  
02 - The Raven (Voc.Leonard Whiting) (3:57)
03 - The Tell-Tale Heart (Voc.Arthur Brown) (4:38)
04 - The Cask Of Amontillado (Voc.John Miles) (4:33) 
05 - The System Of Doctor Tarr And Professor Fether (Voc.John Miles)(4:20)
  The Fall Of The House Of Usher (Instrumental)
06 - I Prelude (Narrator - Orson Welles) (7:02)
07 - II - Arrival (2:39)
08 - III - Intermezzo (1:00)
09 - IV - Pavane (4:36)
10 - V - Fall (0:51) 
11 - The One In Paradise (Voc.Terry Sylvester) (4:46)
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Christopher Walken reads Edgar Allan Poe's The Raven (8:29)

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Tuesday 28 October 2008

Tuesday Mulligatawny

Sarah SchulmanThis summer before I got sick I'd hoped to catch up with Sarah Schulman (left), a writer whose writings and activism I really admire, and who gave me (and others) some very useful advice years ago up in Vermont. I wasn't able to, but I have been following one of her recent moves, which, according to Patricia Cohen in the New York Times, has been to co-organize a town hall meeting (it took place Monday night) to protest the paucity of female playwrights on Off-Broadway and non-profit New York stages.

The gathering was organized by the playwrights Sarah Schulman and Julia Jordan, who have rallied their colleagues to the cause, contending that their male counterparts in the 2008-9 season are being produced at 14 of the largest Off Broadway institutions at four times the rate that women are. More than 150 playwrights appeared at a meeting last month to discuss the issue, and all 90 seats at New Dramatists, the playwriting center where Monday night’s meeting is scheduled, are already spoken for, and there is a long waiting list.

I'm curious to see what comes out of this and prior meetings. Will there be concrete proposals on the part of theaters' artistic directors and boards to address the disparity? Will female playwrights be given more and equal opportunities to have their works staged and enjoyed? I'm also curious to know if this is a problem elsewhere, and if there have been similar discussions and gatherings in other major cities, like the second theater capital of the US, Chicago.

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It was gone for a little over a year, but now it'll be back: regresará one of New York's finest Spanish-language bookstores. But only online.



As I wrote at the time of its closing last fall, Que nunca se la olvide, que siempre se la recuerde.

Will Macondo return in virtual form as well?

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Who says pro athletes aren't into the arts? Literature? Poetry, to be exact? Yes, that's a leading question and no, I don't just mean the kind that comes wrapped in memorable melodies and beats (i.e., hiphop, r&b, rock, etc.), but the kind that follows in the wake of 20th century Modernism and warms the hearts of so many? Meet New Jersey's own Obama-supporting Fernando Pérez, of the Tampa Bay Rays:

Are you staying away from heavy plots during the playoffs?

Actually, what helps me a great deal right now is poetry, like Robert Creeley and John Ashbery.

But of course! Now, what would get your and your teammates backs swinging again?

(H/t to Reggie H.)

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Perhaps the only thing better than The Wire starting a new season and surprising the hell out of all its fans is seeing its actors together again, for a good cause.



A colleague mentioned that it was somewhat startling to see Marlo Stanfield (Jamie Hector) and Chris Partlow (Gbenga Akinnagbe), two of the most psychopathic characters not on a reality show to grace recent TV, supporting Obama. I guess I initially saw the actors as themselves, and then I considered that all these characters had some serious ethical and personal flaw--well, the psychopathic duo were really on the outer fringes, to put it mildly--and probably would send Obama running if they were the ones giving their endorsement. I mean, he's not anywhere in the general vicinity of Kwame Kilpatrick, is he?

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Does the global financial crisis demonstrate that Libertarianism as a practical and practiced ideology is dead? (Admit it, you're hoping the answer is yes, even as a struggle rages at the ground zero of its late high priest, Milton Friedman.) Jacob Weisberg thinks so. Ultrarandian Mr. Irrational Exuberance Alan Greenspan appears a mite chastened. And yet, we are on the verge of electing--shhhhh, don't tell the McCainiacs, Palindrones and sad old members of the GOP--a Communist socialist libertarian paternalist, right? I don't think so, and certainly not in light of the mess he'll have to clean up...but Cass Sunstein very well could end up on the federal bench nevertheless.

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And don't say I didn't warn you....

(H/t to Christina Springer)

Lucy Liu Heritage

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Monday 27 October 2008

Quote: Rem Koolhaas

Rem KoolhaasWith its first 12 floors accessible only to men, the Downtown Athletic Club appears to be a locker room the size of a Skyscraper, definitive manifestation of those metaphysics--at once spiritual and carnal--that protect the American male against the corrosion of adulthood. But in fact, the club has reached the point where the notion of a "peak" condition transcends the physical realm to become cerebral. It is not a locker room but an incubator for adults, an instrument that permits the members--to impatient too await the outcome of evolution--to reach new strata of maturity by transforming themselves into new beings, this time according to their individual designs. Bastions of the antinatural, Skyscrapers such as the Club announce the imminent segregation of mankind into two tribes: one of Metropolitanites--literally self made---whose used the full potential of the apparatus of Modernity to reach unique levels of perfection, the second simply the remainder of the human race. The only price its locker-room graduates have to pay for their collective narcissism is that of sterility. Their self-induced mutations are not reproducible in future generations.
--from Delirious New York: A Retroactive Manifesto for Manhattan, New York, Monacelli Press, 1994, pp. 157-158. Copyright © 1994, all rights reserved.

A P (02) Around the World

Hello, some more around the world, this time around Brittany (France), singer Denez Prigent , well versed in the classic, often tragic, melancholic songs of his region choses for his second album, Me zalc'h ennon ur fulenn aour ( i keep a spark of gold within me) to crossover and incorperate some danceelements giving his bretonfolk a more contemporary feel .

one of the several youtube live vids available, i've chosen E Trouz Ar Gêr (track 6 on the album)



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Denez Prigent - Me' Zalc'h Ennon Ur Fulenn Aour ( 97 ^ 156mb))

Denez Prigent, born 17 Feb , 1966, is a French singer from Santec, in Finistère region of Brittany, he discovers traditional Breton music in the late 60's, and specially the gwerzioù which he learned from his grand-mother. He also learned the kan ha diskan from Alain Leclère and will make his first appearance as a singer in a fest-noz at 14 years old. In 1987, he wins the kan ar bobl award. After a few years work in a local radio, during which he collected a huge amount of gwerzioù and kan ha diskan songs, he finally steps into a professional singer status as he performs during the Transmusicales, a rock festival, in 1992 and prooves that the a-capella breton tradition singing can move all kind of audience. Dressed in black and a hand on the ear, his singing is deeply rooted by his accent. This same year, he records his first album, Ar gouriz koar (the wax belt) primarily made up of songs has cappella, featuring traditional songs and compositions by Bernez Tangi, Denez Abernot or Yvon Gouez.

Denez records his second album Me 'zalc' H ennon ur fulenn Aour (I keep in me a spark gold) in 1997. This album before gardist interfering compositions traditional inspiration and new electronic music (jungle, trip hop, house…) gains national and international success. Today, this album became a classic.Denez keeps on going this way by modernizing the living tradition (and does it very well) but also keeps with his famous a-capella songs or kan ha diskan songs together with Louise Ebrel.

In 2000, sees a new album Irvi (Ways of scum). Electronics is always quite present there, but above all it's an album of duets. Denez Prigent invites Bertrand Cantat the singer of Noir Desire, LISA Gerrard the singer of Dead Can Dance as well as the jazzman Louis Sclavis, the viellist Valentine Clastrier and the bell ringer of uilleann pipe Davy Spillane emblematic figure of the Irish music. The song “ Gortoz has ran ” which opens the album will be integrated in the original soundtrack of the film Black Hawk Down ( Ridley Scott). After a series in concerts, Denez Prigent records a Live with the Festival Interceltique of Lorient in August 2001

In 2003 he released , Sarac' H (into Breton, name given to the rustle which the wind in the foliage makes), his fifth and thusfar last album. One finds again there LISA Gerrard but also Yanka Rupkina the soloist of the Mystery of the Bulgarian Voices, Karen Matheson and sami Mari Boine. Denez Prigent also invites celebrates it player of Bouzouki Donal Lunny, Nabil Khalidi one of the uncontested Masters of the Arab lute and the violonists virtuosos Ronan Pinc and Farhad Bouallagi. This opus gained a strong recognition by the public aswell as the critics.



01 - An Droug-Red (6:29)
02 - An Hentoù Adkavet (5:43)
03 - Copsa Mica (Lodenn 1) (4:03)
04 - Copsa Mica (Lodenn 2) (4:27)
05 - Brall Ar Rodoù (4:35)
06 - E Trouz Ar Gêr (4:35)
07 - Ur Fulenn Aour (4:44)
08 - Kereñvor (5:52)
09 - An Iliz Ruz (4:54)
10 - Al Lagad Foll (4:42)
11 - Ar Wezenn-Dar (7:25)
12 - Ar Rannoù (17:04)

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Denez Prigent - Me' Zalc'h Ennon Ur Fulenn Aour (* 99mb)

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Challenge

You may have noted that more (10)pages have been taken down by blogspot , unfortunately the anonymous persons that complained never took the trouble asking me to taken down the album they claim hurts their wallet...more then the current financial/housing malaise..it is clear to me that the source is the UK , the real pity is that the other unchallenged albums and all the write ups dissappear aswell. So hereby i challenge the deleter to just comment and request the deletion of the contested link..this btw has happened twice in the past two years and i obviously complied. Please, whoever you are stop this cause of action. Rho

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