Saturday, 31 May 2008

Sundaze (34)

Hello, up for some more Sundaze ? Just the two today but to pick a winner here would be hard, both excellent albums, electronics with emotion and contemplation. DNTEL was an unexpected stunner when it came out 6 years ago...secondly
Kettel 's open, involving, beautiful electronic music. As i said both great Sundaze albums.

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Dntel - Life Is Full Of Possibilities (01 ^131mb)

Housed behind an entirely appropriate title, Life Is Full Of Possibilities is a gorgeous, mostly ambient journey into moody, poetic electronic sounds. Dntel (aka Jimmy Tamborello) produces music that merges the worlds of indie rock and electronica. Tamborello was formerly a guitarist in the emocore group Strictly Ballroom and also a member of techno-poppers Figurine. In addition, he has done time in the SoCal groups Further and the Tyde. Tamborello originally started working as Dntel in 1994. Tracks he produced between 1995-1997 were released on the Phthalo label in 1999 as Early Works for Me If It Works for You. This was followed by the 2000 release of an EP that had been recorded back in 1994 called Something Always Goes Wrong. The melancholy, often haunting, and electronica-heavy effort Life Is Full of Possibilities arrived in 2002 on Plug Research Records. It featured contributions from Chris Gunst (Beachwood Sparks, ex-Strictly Ballroom), Rachel Haden (that dog.), and Benjamin Gibbard (Death Cab for Cutie), among others.

The debut album of Dntel (aka Jimmy Tamborello) is a gorgeous, mostly ambient journey into moody, poetic electronic sounds. Though Life Is Full of Possibilities is centered on clicks & cuts, textured sound washes, and cut-and-paste electronic dynamics, Dntel's music contains such pristine melodies and is so effective in its stimulation of one's emotions that it makes for a refreshing, fascinating hour of music. Brittle, subtle, full of surprises, and disarming in its ability to set moods.

Jimmy Tamborello has been releasing under different monikers with others, he moved to Sub Pop -- also home of his other very successful project, the Postal Service -- for Dntel's 2007 album Dumb Luck, which featured Gibbard, Jenny Lewis, Conor Oberst, and many other indie stars.



01 - Umbrella (4:43)
02 - Anywhere Anyone (4:37)
03 - Pillowcase (3:30)
04 - Fear Of Corners (5:26)
05 - Suddenly Is Sooner Than You Think (5:43)
06 - Life Is Full Of Possibilities (6:30)
07 - Why I'm So Unhappy (7:00)
08 - Fireworks (6:48)
09 - (This Is) The Dream Of Evan And Chan (5:44)
10 - Last Songs (4:42)

lite
Dntel - Life Is Full Of Possibilities (* 99mb)

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Kettel - Volleyed Iron (04 ^99mb)

Kettel is Reimer Eising (born 1982), a self-described "elixir-brewing, camping-loving and musicmaking sorcerer-to-be." He is well-known for his playful, spontaneous melodies and organic folk sounds similar to Aphex Twin and Plaid. His tools just a pc with soundcard, keyboard, MIDI-keyboard and controller, a turntable and a mic. What comes out is a combination of downtempo beats , hovering synthesizers and acoustic instruments turned into little melodies. Kettel's releases on the Planet Mu-label ( Mike Paradinas µ-Ziq, Kid Spatula , Aphex Twin) and the Kracfive label(US) has build him some international fame. He has also collaborated on several projects of various remixes and compilations. Kettel frequently performs in the Netherlands and abroad, the Japananese seem to have taken a particular liking to his work.

"Volleyed Iron" finds Reimer piecing together easily his finest release to date, a glowing warm ambient album .Piecing together shards of found sounds and field recordings, the organic textures that underlay these pieces, display incredible warmth and sheer beauty Open, involving, beautiful electronic music with slivers of violin, piano and broken and dusty old samples. He's released several albums Dreim, Cenny Crush, Smiling Little Cow (2002), Look at this (2003), Volleyed Iron (2004), Through Friendly Waters (2005) My Dogon (2006) , Whisper Me Wishes (2007) and Myam James Part 1(2008) in short, plenty to follow up on if you like his music.



01 - A French Composer (4:37)
02 - America Video (5:54)
03 - Did We Orient? (2:50)
04 - Electrician And Adventurer (1:34)
05 - Four Eyes At A Gate (2:33)
06 - Sorry, But We Don't Hear You (3:59)
07 - Teeth, Wait (3:57)
08 - Clock.exe (2:37)
09 - Ureterp, July (2:12)
10 - Hondsvot (1:40)
11 - Machine Planet (8:00)
12 - Wim Hoffman (8:44)
13 - Little Duck, When Is Our Day? (4:11)
14 - Tomorrow? (4:32)

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All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Photos

I'm traveling, so here are a few photos (all cellphone camera) from the last couple months.

George Ayala (whom I hadn't seen in over 10 years, I think) and Pato Hebert at their panel discussion, Race Sex Power Conference, Chicago

Street performer, Michigan Avenue, Chicago

Southern Illinois sunset

Leaving Saint Louis (again)

Chicago skyline, blurry style

Geese on the university's lagoon

Gas in Chicago (another reason not to drive)

A flyer from a recent panel I participated on, with three very dazzlingly brilliant people, Daphne Brooks of Princeton, and my university colleagues Barnor Hesse and Alex Weheliye

The Chicago River, from Wacker Drive, Memorial Day weekend

Friday, 30 May 2008

Rhotation (34) Into BPM

Hello, it's the 34th Rhotation this week Into BPM starts off the week with Richie Hawtin at the helm . His third soloalbum under the moniker Plastikman ; Consumed was an exploration of the idea of sonic space....Next a classic mixalbum, Decks, EFX & 909 and last Ibiza finshing the season with Sven Väth with The Sound Of The Third Season in the Cocoon that is..

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While original Detroit technocrats like Juan Atkins and Derrick May were changing the face of electronic music in the mid-'80s, Richie Hawtin was growing up across the river in Windsor, Ontario. A British native born in 1970, he moved to Canada with his family at the age of nine. Introduced to '70s electronic/minimalist pioneers Kraftwerk and Tangerine Dream by his father (who was a robotics engineer for General Motors), Hawtin began DJing at the age of 17 -- as DJ Richie Rich -- and soon landed gigs at Detroit hot-spots like the Shelter and the famed Music Institute, home to all-night club sessions by May and Kevin Saunderson.

His style formed by a fusion of the barest acid house and straitjacket-tight Detroit techno, Richie Hawtin became one of the most influential artists in the world of techno during the 1990s, even while sticking to out-of-date synth dinosaurs like the Roland TB-303 and TR-808. Hawtin combined lean percussion and equally spare acid lines into haunting techno anthems that kicked with more than enough power for the dancefloor while diverting headphone listeners as well. While even his early recordings were quite minimalistic, he streamlined the sound increasingly over the course of his recording career; from the early '90s to the end of the decade, Hawtin's material moved from the verge of the techno mainstream into a yawning abyss of dubbed-out echo-chamber isolationism, often jettisoning any semblance of a bass line or steady beat. Hawtin released material on his own +8 Records under several aliases -- some in tandem with co-founder John Acquaviva -- and made the label one of the best styled in Detroit techno of the 1990s. He earned his pedigrees from worldwide fans of techno for his best-known releases, as Plastikman (for NovaMute) and F.U.S.E. (for Warp/TVT).




The Plastikman project debuted in 1993 with two releases for +8: the seminal "Spastik" single and an album, Sheet One. Hawtin's first wide release, however, came with the alter-ego F.U.S.E. (short for Further Underground Subsonic Experiments). A more varied and melodic project than Plastikman (but not by much), F.U.S.E. released the album Dimension Intrusion for the British Warp Records in late 1993. As part of the label's Artificial Intelligence series, Dimension Intrusion was also licensed to Wax Trax!/TVT for release in America. (Hawtin joined such ambient-techno heroes as the Aphex Twin, Black Dog, Autechre and B12, all receiving their wide-issue debuts.) Later, NovaMute signed an agreement with +8 and another Hawtin-founded label, Probe; Sheet One was reissued in 1994, followed by the second Plastikman LP, Musik. Much more restrained than Sheet One, the album fit in well with the growing ambient-techno movement. All told, Hawtin was responsible for the release of three albums and a good-sized EP in the span of just one year.

That impressive schedule was shattered in 1995, when Hawtin was entangled in a silly U.S.labor law that denied him access with his tools.Refused entrance for more than a year, he lost his inspirational grounding with the Detroit scene and found it difficult to continue recording for his third Plastikman album, Klinik. While he waited for re-entry, Hawtin spent time setting up the sub-label Definitive, and continued to DJ around the world. Though he recorded scattered singles for +8 and related imprints, his only full-length release that year was a killer entry in the Mixmag Live! series, taken from a DJ set recorded at the Building in Windsor. By the time he was able to return to America, he had changed his musical direction and eventually abandoned the Klinik album.

In early 1998, he released his third Plastikman LP, Consumed, which proved to be just as brutally shadowed as the Concept 1 material. The continued experimentalist direction showed Hawtin coming full circle, back to his position on the leading edge of intelligent techno. In May 2000, Hawtin performed at the first Detroit Electronic Festival alongside Derrick May, Juan Atkins and other techno masterminds. More than 200,000 people attended from all over the world.

He spent part of 2002 and 2003 living in New York City, and has since moved to Berlin, Germany.. Hawtin collaborated with choreographer Enzo Cosimi to create a composition called "9.20" for the 2006 Winter Olympics opening ceremony. In 2007, Slices DVD magazine launched a series of biographies called "Pioneers of Electronic Music", with the first issue being a roughly 60 minute documentary dedicated to the life of Richie Hawtin. The film follows his career from his early days crossing the border to Detroit to his current life in Berlin, interviewing many colleagues and family members.

Hawtin has recorded music under the aliases Plastikman, F.U.S.E, Concept 1, Circuit Breaker, The Hard Brothers, Hard Trax, Jack Master, and UP!. He also recorded and performed, in combination with other artists, under group names such as 0733, Cybersonik, Final Exposure, Spawn and States Of Mind.


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Plastikman - Consumed ( 98 ^ 153mb)

The third in the series of Plastikman albums produced by Richie Hawtin, Consumed is a turn away from the high-bpm, drum-machine mania that characterized much of his its two predecessors, Sheet One (1993) and Musik (1994). The album is an exploration of Plastikman's ambient side and features none of the frantic Detroit techno experiments he was chiefly renowned for at the time. According to Hawtin, 'Consumed' was designed as an exploration of the idea of sonic space, inspired by the vast expanses of Michigan's and Ontario's plains. The album is dominated by extremely sparse basslines and percussion, combined with 'spatial' sound effects, such as reverb, stereo, and delay effects. Ambient techno driven largely by deep, rumbling basslines accentuated with shimmering synth washes and almost subliminal microsound ticks --ambient dark and mysterious in tone.



01 - Contain (8:29)
02 - Consume (11:18)
03 - Passage (In) (0:54)
04 - Cor Ten (6:50)
05 - Convulse (Sic) (1:22)
06 - Ekko (3:55)
07 - Converge (4:24)
08 - Locomotion (8:49)
09 - In Side (12:37)
10 - Consumed (11:43)
11 - Passage (Out) (3:10)

Lite Consumer

Plastikman - Consumed ( * 99mb)

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Richie Hawtin - Decks, EFX & 909 ( 99 ^151mb)

Decks, EFX & 909 was the next step for Richie Hawtin after his Mixmag live album from 1995 and the increasing minimalism of his subsequent Plastikman material (Consumed ). Hawtin displays not only his talents as a mixer but also as a producer, using turntables, an effects processor, and a Roland pedal, plus a TR-909 drum machine for added beats. An extension of his live sets (though not entirely recorded live), the album employs a degree of improvisation rarely heard on mix albums. The result of Hawtin's obvious labor of love is a mix album that manages to be simultaneously intense and moody, pummeling yet restrained. The beats are clipped and precise,at times, Hawtin has four records spinning at once, and the layers of sound he adds to the show make this album a highly effective techno statement.



01 - Ratio - Early Blow (2:02)
02 - G Flame & Mr. G - Dumped (1:03)
03 - Richard Harvey - User (02) - B2 (1:11)
04 - Richard Harvey - User (04) - A2 (1:04)
05 - Richard Harvey - User (02) - A2 (1:24)
06 - Richard Harvey - User (01) - B2 (1:16)
07 - Richard Harvey - 001A - A2 (1:23)
08 - Grain - B2 (1:09)
09 - Santos Rodriguez - Road To Rio EP - B2 (0:36)
10 - Grain - B1 (1:37)
11 - Santos Rodriguez - Road To Rio EP - A2 (1:28)
12 - Grain - A1 (0:47)
13 - Richard Harvey - 002A - B1 (4:20)
14 - Jeff Mills - Call Of The Wild (1:49)
15 - Jeff Mills - L8 (0:39)
16 - Jeff Mills - Scout (0:27)
17 - Jeff Mills - L8 (0:13)
18 - Richie Hawtin - Orange/Minus 1 (2:11)
19 - Richie Hawtin - Orange/Minus 2 (1:16)
20 - Richie Hawtin - Minus/Orange 2 (0:55)
21 - Nitzer Ebb - Let Your Body Learn (2:11)
22 - Richie Hawtin - Minus/Orange 1 (0:59)
23 - Intermission - What The Hell Was That? (0:09)
24 - Rob Jarvis - Killabite (002) - A1 (2:11)
25 - Ben Sims - The Loops - A1 (2:56)
26 - Jeff Mills - Alarms (1:16)
27 - Surgeon - Force & Form (Surgeon Remake 2) (1:58)
28 - Pacou - Zen (2:07)
29 - Heiko Laux - Five (1:37)
30 - Baby Ford & Eon - Dead Eye (2:23)
31 - Savvas Ysatis - Club Soda (1:20)
32 - Stewart Walker - It's Process Not Substance (0:31)
33 - M - 5 (1:20)
34 - Vladislav Delay - Neo (2:37)
35 - Thor - Aliens Don't Boogie (2:51)
36 - Marco Carola - Question (003) - B2 (2:59)
37 - Quadrant - Kykeon (2:14)
38 - Rhythm & Sound - Never Tell You (Version) (2:41)

Lite

Richie Hawtin - Decks, EFX & 909 ( * 98mb)

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Sven Väth & Richie Hawtin - The Sound Of The Third Season (02 ^153mb)

Veteran DJs Sven Väth and Richie Hawtin commemorate their summer-long residency at Cocoon in Ibiza with The Sound of the Third Season, a relatively straightforward mix of techno with a creative twist. Since the mix is intended as a commemoration of the many Monday nights Väth and Hawtin spent together in Ibiza at Cocoon, as discussed and pictured in the liner notes, the two intersperse sampled dialogue throughout the mix as a means of better capturing the essence of the summer. Their mix is amazing, they throw down numerous great tracks and don't do anything too fancy -- just mix one kick-ass track unmercifully into the next. The heart-racing intensity doesn't subside until the last quarter of the mix, when you're at the after-party on the beach, where Väth and Hawtin open with Swayzak's soothing "Make up Your Mind (Slight Return)" and bring the mix to a lulling close.



01 - T-Bone Steak... (2:40)
02 - Reinhard Voigt - Supertiel (6:41)
03 - Tony Rohr - Baile Commigo (3:19)
04 - Dirty - Dirty (E-Dancer Remix, Re-Edit By Matthew Roberts) (6:10)
05 - Renato Cohen - Pontapé (4:16)
06 - DJ Shufflemaster - Play Back Pt.3 - Session 1 (5:09)
07 - Slam - Step Back (Smith & Selway Rmx) (1:40)
08 - No Artist - I'm Ready... (3:16)
09 - Technasia - Acid Storm (4:33)
10 - Sven Väth - Steel (Marco Carola Rmx) (4:44)
11 - Koenig Cylinders - 99.9 (John Selway Rmx) (2:26)
12 - No Artist - Amnesia Surprise... (1:36)
13 - A Number Of Names - Shari Vari (The Hacker & Vitalic Remix) (3:55)
14 - John Starlight - Blood Angels (5:47)
15 - Legowelt - Disco Rout (5:39)
16 - No Artist - Let's Continue Our Mission... (1:43)
17- Swayzak - Make Up Your Mind (Slight Return) (4:00)
18 - Wessling & Schrom - Donauwellen (3:25)
19 - Ricardo Villalobos - What You Say Is More Than I Can Say (0:16)
20 - Reinhard Voigt - Recht Erst Jetzt (3:24)
21 - No Artist - Closing Thoughts... - Sven & Rich's Post After-Hours Thoughts (0:18)

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All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

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Wednesday, 28 May 2008

Alphabet Soup II ( G)

Hello, Alphabet Soup II has reached Gee, and this time i won't pass on an album which has been dear to me for many decades. Playing it again was a mixed thrill, as im made aware that 33 years have passed since i heard it first. This is a cd rip as my vinyl needed replacing back then (20 years ago). ....secondly Martin Gore, Depeche Mode 's main songwriter and occasinal singer, he recorded 2 soloalbums with covers of music that was dear and inspirational to him, i've joined them here..lastly a band of Canadian anarchists into postrock, Godspeed You Black Emperor ! a rather expedient post as today a treaty was made to do away with what the band described as U.X.O. unexploded ordnance(cluster bombs), as for the treaty China, Russia, USA and Israel gave it the middlefinger, they like the idea of children picking up explosives the next day.

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Genesis - The Lamb Lies Down On Broadway ( 74, 94min. ^ 198mb)

The New Anon got picked up by Jonathan King who helped the band secure its first record deal and baptised them Genesis, the first album flopped and the band split to attend school/university but when Charisma a new label shoed interest they got together again, Trespass, the second album didnt do much better but it opened the door for Gabriels theatricals,again the band almost dissolved but this time they got some important replacements aboard, Phil Collins and Steve Hackett. Their next album, Nursery Cryme, the music was far more exciting than most of the progressive rock of the period, the heart of the record was "The Musical Box," a song telling a Victorian-era story of children, murder, and ghostly apparitions. Their live shows started to gain recognition, as Gabriel began to make ever more extensive use of masks, makeup, and props in concert, telling the framing stories in order to set up their increasingly complicated songs. Foxtrot, released in the fall of 1972, was a turning point in Genesis' history, and not just on commercial terms. The writing, especially on "Supper's Ready" was as sophisticated as anything in progressive rock, and the lyrics were complex, serious, and clever. The group's next release, Selling England by the Pound (1973), retained the pastoral yearning for ancient or medieval England as its primary thematic material, the album focuses on traces of this past in the present.It was also their biggest seller to date.

The release in late 1974 of the ambitious double LP The Lamb Lies Down on Broadway also marked the culmination of the group's early history. A concept album with a very involved story and a cast of characters, its composition had been difficult, involving a story outlined and written (along with most of the lyrics) exclusively by Gabriel. The singer had worked separately from the rest of the group for most of the composition, and a creative split developed between him and the others, which was exacerbated by personal problems that Gabriel was going through at the time, involving his marriage. The division grew worse during the tour that followed, when the other members began to feel that his performance -- and the costumes and costume changes that he required -- began to seriously detract from the music, and worse gave the public the idea that they were Peter Gabriels backing band.

Gabriel has always been unwilling to give a precise explanation of the lyrics. And though i held this album in high regard for many decades, it's superficial explanation of the story has always bothered me, simply not good enough to have captured mine and others interest for so long. So here goes

We can assume Rael (messenger of the Elohim) is a Christ (The Lamb) figure. "The lamb lies down on Broadway" would then mean "Jesus Christ dies in New York." At the end of the story, Rael sacrifices his life for his brother John, in spite of the numerous times John had forsaken him, and he loves him anyway, a very Christian attitude. By making this final correct spiritual decision to save his brother, he allows himself to leave this purgatory into the true afterlife.

Gabriels silence and his known references about dreams has convinced me that he-Peter was a lucid dreamer and possibly an astral traveller, his descriptions of the wall that engolves him, the lifeless(dummy's) in all shapes and sizes he encouters, aswell as the crawlers looking for a way out. The 32 doors is an almost classic dream image, not being able to find his way like the others he trusts a blind woman Lilith ( a demon, after being cursed by Jahweh for not obeying that tiran) leads him thru a tunnel of light to more mystic imagery with the Lamia (half snake/half women)(defacto alien/human halfbreeds) after a pleasant sexual encounter he finds his way to the place where he meets his 'brother John', and where sexual lust is deemed a curse and so they get convinced to do away with it and be castrated. Then a raven appears and flies off with his tubed (sperm), chasing it he leaves his brother behind, when the raven drops it in the river, and he tracks it, he finds himself back on broadway again. As he wonders if this is another dream he hears the cries for help from his 'brother John' who like his tube floats down the river..he slides of the rocky embankment to rescue, when he gets hold of him, he finds that John is him(the tube) and he saves himself from going under. Understanding that it was him letting himself down all along.

In every way, it's a considerable, lasting achievement and it's little wonder that Peter Gabriel had to leave the band after this record: they had gone as far as they could go together, and could never top this extraordinary album. It's supposed to be rereleased as a SACD / DVD double-disc set (with new 5.1 and stereo mixes) in September 2008, dont hold your breath its been announced several times before.



Genesis - The Lamb Lies Down On Broadway ( 74 ^ 99mb)

01 - The Lamb Lies Down On Broadway (4:55)
02 - Fly On A Windshield (2:47)
03 - Broadway Melody Of 1974 (1:58)
04 - Cuckoo Cocoon (2:14)
05 - In The Cage (8:15)
06 - The Grand Parade Of Lifeless Packaging (2:45)
07 - Back In N.Y.C. (5:49)
08 - Hairless Heart (2:25)
09 - Counting Out Time (3:45)
10 - The Carpet Crawlers (5:16)
11 - The Chamber Of 32 Doors (5:40)

Genesis - The Lamb Lies Down On Broadway ( 74 ^ 99mb)

12 - Lilywhite Lilith (2:40)
13 - The Waiting Room (5:28)
14 - Anyway (3:18)
15 - -Here Comes The Supernatural Anaesthetist (2:50)
16 - The Lamia (6:57)
17 - Silent Sorrow In Empty Boats (3:06)
18 - The Colony Of Slippermen (8:14)
------ The Arrival
------ A Visit To The Doctor
------ The Raven
19 - Ravine (2:04)
20 - The Light Dies Down On Broadway (3:32)
21 - Riding The Scree (3:55)
22 - In The Rapids (2:28)
23 - It (4:15)

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Martin L. Gore - Counterfeit 1 & 2 (89/03, 71min.^ 161mb)

Martin Gore was born in Basildon, England, on July 23, 1961. Gore left St. Nicholas's Comprehensive School in 1977 and took a job as a .bank teller. As a teen he joined French Look, a duo featuring schoolmate Vince Clarke; with the subsequent additions of keyboardist Andrew Fletcher and singer David Gahan, the group re-christened itself Depeche Mode. They were producing a slick, techno-based sound to showcase Clarke's catchy melodies. Depeche Mode's 1981 debut LP Speak and Spell was a major British hit, but following the album's release , principal songwriter Clarke abruptly exited to form Yazoo with singer Alison Moyet, leaving the group's future in grave doubt. In Clarke's absence, Gore grabbed the songwriting reins. Gore sings lead vocals on several of the band's songs, notably ballads, his tenor voice providing a contrast to David Gahan's dramatic baritone.

The songs Gore wrote for Depeche Mode's second album, A Broken Frame (1982) were different in sound and lyrical content from Clarke's offerings on Speak & Spell. Gore's writing became gradually darker and more political , his ominous songs grew more assured and sophisticated by the time of 1983's Construction Time Again. Some Great Reward, issued the following year, was Depeche Mode's artistic and commercial breakthrough. The egalitarian single "People Are People" was a major hit on both sides of the Atlantic, and typified the music's turn toward more industrial textures. 1986's atmospheric Black Celebration continued the trend towards grim melancholy, and further established the group as a major commercial force.

Counterfeit 1 was recorded during a band hiatus after recording and touring for the album Music for the Masses;Counterfeit² was released April 2003 , the album features 11 covers of songs that Martin considered influential to his own compositions for Depeche Mode. He recorded this album around the same time as David Gahan recorded his first solo album Paper Monsters, after the Exciter tour was finished

On 27 August 1994, Gore married lingerie designer Suzanne Boisvert, and has two daughters and a son with her: Viva Lee Gore (born 6 June 1991) and Ava Lee Gore (born 21 August 1995) and Calo Leon Gore (born 27 July 2002). As of January 2006, Gore has divorced from Boisvert. The song "Precious" from 2005's Playing the Angel was a product of the divorce, written as a response to the trauma it caused his children.



01 - Compulsion (5:29)
02 - In A Manner Of Speaking (4:18)
03 - Smile In The Crowd (5:01)
04 - Gone (3:29)
05 - Never Turn Your Back On Mother Earth (2:57)
06 - Motherless Child (2:46)



-------Counterfeit 2
07 - In My Time Of Dying (4:24)
08 - Stardust (3:03)
09 - I Cast A Lonesome Shadow (4:49)
10 - In My Other World (3:51)
11 - Loverman (7:01)
12 - By This River (3:58)
13 - Lost In The Stars (2:54)
14 - Oh My Love (3:35)
15 - Das Lied Vom Einsamen Mädchen (5:23)
16 - Tiny Girls (3:20)
17 - Candy Says (4:41)


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Godspeed You Black Emperor ! - Yanqui U.X.O ( 02 * 112mb)

The band took its name from God Speed You! Black Emperor, a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors. The band is most commonly classified as post-rock, but they exhibit influences from a range of styles including progressive rock, punk, classical music and avant-garde.

GYBE! formed in 1994, the band's first album, F#A#(Infinity), was initially a limited-run release of 550 LPs on the Canadian label Constellation, but was picked up by Kranky and released onto CD as well. Early 1999 brought the EP Slow Riot for New Zero Kanada (released by both labels) and increased recognition for a band intent on retaining anonymity. Nevertheless, interest in GYBE! only continued to grow among new music fans, the band's participation in the Peel Session, and the group's consistently impressive live shows.. These performances generally include at least nine or more musicians and a projectionist. The instrumentation consists of three guitars, two basses, French horn, violin, viola, cello, and percussion. 2000 brought about the release of Lift Your Skinny Fists Like Antennas to Heaven, pushing their diverse orchestral rock sound even further into the universe. The group is known for their film loops, which they project behind them during performances. Efrim Menuck has explained that these loops, which are commonly produced by violinist Sophie Trudeau, are an important aspect of their concerts, because they put the whole into context.

The band members have in the past been reluctant to give interviews, and have expressed their distaste for the mainstream, corporation-owned music industry. This has given them a reputation as shadowy, even unfriendly figures, and not a great deal is known about them personally. They even got arrested as suspected terrorists, when a dimwitted gas station attendent gave in to the forcefed paranoia and called the cops when a bunch of Canadian anarchists (GYBE! ) stopped for some gas. In the end it took the FBI to clear them...

Yanqui U.X.O. ( The liner notes also refer to "Yanqui" as a "multinational corporate oligarchy", while "U.X.O." stands for unexploded ordnance.) was released in 2002. The sound over these three long cuts, like all of the band's recordings, develops slowly over time and creates layers of dynamic tension that expresses itself in waves and off-kilter, shimmering flows. Surprisingly here, a more minimal and 'quiet' approach is used. There is more melody, above all, there's aching, anguished beauty created by dissonance between the instruments. The first song is named after the date on which the current Palestinian intifada began: 09-15-00, apparently Ariel Sharon incited the al-Aqsa Intifada by visiting Jerusalem's Temple Mount. This is music for a different kind of engagement that of becoming aware of tyranny and disappearance. In a way that is what they did as from 2003 onwards the band has been on hold.



01 - 09-15-00 (Part One) (16:27)
02 - 09-15-00 (Part Two) (6:16)
03 - Rockets Fall On Rocket Falls (20:42)
04 - Motherfucker = Redeemer (Part One) (21:22)
05 - Motherfucker = Redeemer (Part Two) (10:10)

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All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Milena Velba pictures and biography

(Photo: Milena Velba pic)
Milena Velba was born on July 19, 1970 in Ústí nad Labem, Czechoslovakia. She is a Czech glamor model, remarkable for having one of the world's largest natural busts. The message in her official website reads "
"Yes They Are Natural!
..and NO! I have no back pain.
36 J-cup is the size I need and
I am proud of it. If you have time,
I would be glad to show you more of
who is behind the JJs."
For more fotos, please visit her official website here.

Jessica Simpson new single Come On Over out

(Image: Jessica Simpson pic)
Jessica Simpson's single "Come On Over" was just sent to radio today, some of you might not have heard it! The style of the music is changed from Pop to Country song and sounds not bad.

"I am a country girl" she told Billboard in December. "I grew up in Texas, and country music was what I listened to. I always wanted to make a country album, but I wanted to wait until the time was right."

Jessica's last released album was "A Public Affair" back in 2006. Her new country album is expected to release this year some time in fall!

Akina Minami super hot photos

Check out this Japanese idol Akina Minami photos:

Japanese junior idol Akina Minami bikini pictures:

Rachel Bilson images - cute pictures

Rachel Bilson fotos, half bikini:

Collection of Rachel Bilson photos:

Tuesday, 27 May 2008

Eight-X (33)

Hello, Eight-X again and i manage 3 vinyls with thusfar unseen artists here, meaning a lot of work. Oh well, plenty of coffee to go around. First up Jona Lewie, the meanest man in showbizz, the album here predates his big kitchen hit, yet it fits wonderfully well, thats why i added it here..in fact you'd have a heard time finding any of his Sonet work officially digitized....second up, Duran Duran they began their career as "a group of art school, experimental, post punk rockers", the band's quick rise to stardom, polished good looks, and embrace of the teen press, almost guaranteed disfavour from music critics. During the 1980s, Duran Duran were considered the quintessential manufactured, throw-away pop group. Well so much for the independent lemming music press. In fact the album here is proof they were much more than that, Rio is '80s, at its best. Its fusion of style and substance ensures that even 25 years after its release it remains as listenable and danceable as ever....Talk of style and substance, todays third show tried it, Paul Weller left the Jam to pursue all that, in 83 initially things went well but by the end of the decade the Style Council was no more. Here their first (mini) album contaaining their first singles, it was 25 years ago and we're at the start of another long hot summer..so be prepared...

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Jona Lewie - Gatecrasher (80 ^ 99mb)

Jona Lewie (John Lewis, 14 March 1947) he joined his first group, The Johnston City Jazz Band, while still at school in 1963, and started in the music industry as a session pianist. In 68, whilst studying sociology, he was a regular and popular face in the London's jazz and blues clubs. In 69 he joined Brett Marvin And The Thunderbolts who recorded the 'Gasolene'.album for United Artists Records In 1970 they went to Sonet, where they had their first hit 'Seaside Shuffle' under the pseudonym of Terry Dactyl and The Dinosaurs. It made No. 2 in the British charts and was a big hit across Europe, suggestions that it was a rip off from Mungo Jerry's big hit ,In The Summertime, can be layed aside as the track had been part of their reportoire before all that, in fact it's likely the other way around, as Mungo had been a backing act for the band.

In 1975 Brett Marvin And The Thunderbolts went their separate ways and Jona Lewie signed to Sonet as soloist and released a few singles. An early version of 'Hallelujah Europa' was rejected by the selection team of The Eurovision song contest. Then in 77 he was signed to Stiff records. Despite an appearance on the highly publicised "Be Stiff" tour, Jona remained largely unknown until 1980 when You'll Always Find Me In The Kitchen At Parties broached the UK Top 20.

A follow-up release, Stop The Cavalry, reached Number 3 later that year when its nostalgic brass arrangement proved popular in the Christmas market. However, a subsequent album, Heart Skips A Beat, produced by Rupert Hine, failed to consolidate this success. A decade later in 93 he's released Optimistic, which went under in rave cultere, currently Jona has been busy recording a new album that will be released this year.

This compilation album released by Sonet consist of tracks recorded throughout the seventies by Jona Lewie - with Terry Dactyl and The Dinosaurs and as a solo artist - before he signed a record deal to Siff Records.



01 - The Swan (3:11)
02 - Piggyback Sue (2:38)
03 - Rockin' Yobs (2:17)
04 - Hallelujah Europa (Part 1 & 2) (9:36)
05 - Seaside Shuffle (2:29)

06 - Cherry Ring (2:18)
07 - On A Saturday Night (2:30)
08 - She Left I Died (2:54)
09 - Papa Don't Go (2:27)
10 - Come Away (Bate O Pe) (2:56)
11 - Custers Last Stand (3:16)
---Xs
12 - You'll always find me in the kitchen at parties (2:58)
13 - Yeah (0:06)

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Duran Duran - Rio (82 ^ 99mb)

John Taylor and Nick Rhodes formed Duran Duran in Birmingham, UK in 1978, naming the band after the villain "Dr. Durand Durand", in the science-fiction film, Barbarella. Their first singer was Stephen Duffy. Roger Taylor, Andy Taylor, and Simon Le Bon joined in the next year (Non of the 3 Taylors are related) . The group has never disbanded, but the line-up has changed to include guitarist Warren Cuccurullo from 1989 to 2001, and drummer Sterling Campbell from 1989 to 1991. The reunion of the original five members in the early 2000s created a stir among the band's fans and music media. Meanwhile Andy Taylor left the band in summer 2006, and London guitarist Dom Brown has been working with the band since.

By the end of 1980, Duran Duran had become popular within the burgeoning new romantic circuit in England and had secured a record contract with EMI. "Planet Earth," the band's first single, quickly rose to number 12 upon its spring 1981 release. Immediately, Duran Duran became the leaders of the new romantic movement, becoming media sensations in the British music and mainstream press. The girls on film video got banned but the single reached the top ten nevertheless. It launched their eponymous debut album, Duran Duran reached number three upon its release and stayed in the charts for 118 weeks.

The band quickly followed the album with Rio in the spring of 1982. Rio entered the charts at number two, and its singles -- "Hungry Like the Wolf" and "Save a Prayer" -- became Top Ten hits. Duran Duran mania was in full swing across America, with "Is There Something I Should Know" reaching the Top Ten , they capitalized on their popularity by releasing Seven and the Ragged Tiger in time for 1983's holiday season. In November 84, Duran Duran released the non-LP single "Wild Boys," which reached number two in the U.K. and the U.S., where it was added to the live album Arena.

Early 1985 they completed the title track the Bond film A View to a Kill, subsequently the group went on hiatus. Andy and John Taylor formed the supergroup the Power Station with vocalist Robert Palmer releasing their eponymous debut album in the spring. The remaining members of Duran Duran -- Nick Rhodes, Simon LeBon, and Roger Taylor -- responded with their own side project, Arcadia, which released an album called So Red the Rose in the fall of 1985; the album launched the Top Ten hit "Election Day." Early in 1986, Roger Taylor took an extended sabbatical from the group, he never returned. Several months later, Andy Taylor also left, reducing Duran Duran to a trio.

Late in 1986, the band released Notorious, their first album in nearly three years. While it was relatively successful, going platinum in the U.S. and generating a Top Ten hit with the title track, it was noticeably less popular than their earlier records. For the remainder of the decade, Duran Duran's popularity continually declined, with 1988's Big Thing producing "I Don't Want Your Love," their last Top Ten single for five years. In 1993, the band returned from a prolonged hiatus with [The Wedding Album, a mature record that spawned Top Ten hits "Ordinary World" and "Come Undone". The record restored their commercial status, and earned them some of their best reviews of their career. The group followed the album with one of their poorest-received efforts, 1995's all-covers Thank You.John Taylor left the band to pursue a solo career, Medazzaland, the Thank You follow-up, was released in 1997 but failed to produce any major hits. 2000's Pop Trash suffered a similar fate.

In 2000, John Taylor approached Le Bon and Rhodes with a proposal to re-form Duran Duran's classic line-up. They agreed, and after completing the Pop Trash tour fired Cuccurullo by letter, to fulfill contractual obligations, Cuccurullo played three Duran Duran concerts in Japan in August 2001, ending his tenure in the band. Throughout 2001, 2002 and 2003, the band worked on writing new material. It proved difficult to find a record label willing to gamble on the band's comeback, so Duran Duran went on tour to prove the drawing power of the reunited band. The response of the fans and the media exceeded everyone’s expectations. Finally, with more than thirty-five songs completed, the band signed a four-album contract with Epic Records in June, and completed the new album, now entitled Astronaut, with producer Don Gilmore.

In early 2006, Duran Duran covered John Lennon's song "Instant Karma" for the Make Some Noise campaign sponsored by Amnesty International, and performed at two high profile events — the Nobel Prize Awards and the 2006 Winter Olympics in Turin, Italy. October 2006, Andy Taylor parted ways with Duran Duran for the second time. Dominic Brown, who had previously toured with the band, took over guitar duties and has been performing with them since. After Taylor's departure, the band scrapped the Reportage album and wrote and recorded Red Carpet Massacre, it again displayed Duran Duran's instantly recognised blend of vulnerability and defiance, crystal pure perfection of production, skilled performance and delivery, in short it was well recieved again, after 14 years of doubt. In July, the band performed twice at the massive Wembley Stadium, at the Concert for Diana and at Live Earth concert, London. As of May 2008, they are on the US leg of their 2008 world tour.



01 - Rio (5:29)
02 - My Own Way (4:46)
03 - Lonely In Your Nightmare (3:46)
04 - Hungry Like The Wolf 3:37)
05 - Hold Back The Rain (3:54)

06 - New Religion (5:27)
07 - Last Chance On The Stairway (4:15)
08 - Save A Prayer (5:29)
09 - The Chauffeur (5:02)

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Style Council, The - Introducing (83 ^ 83mb)

Guitarist/vocalist Paul Weller broke up the Jam, the most popular British band of the early '80s, at the height of their success in 1982 because he was dissatisfied with their musical direction. Weller wanted to incorporate more elements of soul, R&B, and jazz into his songwriting, which is something he felt his punk-oriented bandmates were incapable of performing. In order to pursue this musical direction, he teamed up in 1983 with keyboardist Mick Talbot, a former member of the mod revival band the Merton Parkas. The permanent lineup grew to include drummer Steve White and Weller's then-wife, vocalist Dee C. Lee. Other artists such as Tracie Young and Tracey Thorn also collaborated with the group.

The band's early singles showed a diversity of musical styles. "Speak Like a Child" (with its loud soul-influenced style), the extended funk of "Money-Go-Round", and the haunting synth-ballad "Long Hot Summer" all featured Talbot on keyboards and organ. Near the end of 1983, these singles were compiled on Introducing The Style Council, a mini-album initially released in Japan, the Netherlands, and the United States only. The Dutch version was heavily imported to the United Kingdom.

The Style Council released their first full-length album, Cafe Bleu, in March of 1984; two months later, a resequenced version of the record, retitled My Ever Changing Moods, was released in America. It was their most successful album, peaking at number five in the U.K. and number 56 in the U.S. In the summer of 1985, the Style Council had another U.K. Top Ten hit with "The Walls Come Tumbling Down." The single was taken from Our Favourite Shop, which reached number one on the U.K. charts; the record was released as Internationalists in the U.S.

In 1986, the band released a live album, Home and Abroad, and, in 1987, the album The Cost of Loving was launched, followed later in the year by the upbeat non-album single "Wanted", which reached #20 in the United Kingdom. However, by the time Confessions of a Pop Group was released a year later, the group's popularity had largely evaporated. A greatest hits album, appropriately called The Singular Adventures of The Style Council, was released internationally in 1989; it included the non-album single "Promised Land", which had reached #27 in the United Kingdom earlier that year.

The Style Council broke up in 1989, after recording a house album (Modernism: A New Decade) that was rejected by their record label, Polydor . However, the entire album was released in 1998, both independently and in a 5-CD boxset, The Complete Adventures Of The Style Council). Paul Weller and Mick Talbot officially broke up the Style Council in 1990. In 1991, Weller launched a solo career which would return him to popular and critical favor in the mid-'90s, while Talbot continued to play, both with Weller and as a solo musician.



01 - Long Hot Summer (6:57)
02 - Headstart For Happiness (2:49)
03 - Speak Like A Child (3:14)

04 - Long Hot Summer (Club Mix) (6:51)
05 - The Paris Match (3:42)
06 - Mick's Up (3:07)
07 - Money-Go-Round (Club Mix) (7:37)

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All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

Emily Gould blogger Rock Star

Photo: Emily Gould pic

When you are a good writer, not like me, you will get all fame and disgrace at the same time? I am not sure what's happening with Emily Gould, former editor of Gawker.com. See what others are talking about here. Also visit Emily's blog, because she "Has blog, and you don't have to"
I'm curious about Emily's blog traffic ranking, as you can see the screenshot above, she ranked 293,420 at Alexa right now; let's wait and check again her ranking after a few weeks.

Libertarians & Greens + Obama, Behavioralist + Brotha Love

This is really shaping up to be a fascinating political season. Yesterday, former Republican Congressman, Clinton impeacher and grade-A hypocrite Bob Barr gained the nomination of the Libertarian Party. Today, it appears former Democratic Congresswoman and Bush-administration critiquer Cynthia McKinney has enough support to become the Green Party's presidential candidate. (Does this mean no Nader?) In the case of Barr, it might spell danger for Republican nominee John McCain in some Southern and Western states, while McKinney is sure to draw votes away from Obama in California and the Northeast.

One question to consider will be who will siphon off more votes from the main parties' candidates, particularly in the swing states? Also, will Barr be able to push McCain further to the right to hold onto to the GOP's traditional constituencies, or will he help define him as more moderate, the narrative the media are determined to convey? I doubt McKinney will have any effect on Obama's policies, but it would be great if she could effect a more progressive approach, particularly on economic issues.

Nevertheless, there'll be two more candidates, neither of them viable, but both of whom will appeal to pockets within both of the two main parties' supporters. Then there's always the indefatigable Ralph Nader and the irrepressible Ron Paul...and maybe even Hillary Clinton (would you be surprised?)!

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Speaking of Obama's economic plans and perspective, in the most recent issue of The New York Review of Books, John Cassidy explores the presumptive Democratic nominee's links to economic behavioralism, another "third way" between (or amid) conservatism and contemporary liberalism and neo-liberalism. Two of the major theorists whose ideas underpin many of Obama's policies, Richard Thaler and Cass Sunstein, promote an approach they call "libertarian paternalism," or "nudging" people to make better choices, since the insights of behavioral economics has undermined the rationalist orthodoxy that mainstream economics and economists have taken as a matter of faith. "Libertarian paternalism" sounds awful to my ears, and while it's a clunker of a name, it also, if accurately described by Cassidy, is too incremental and inadequate to address the array of social, political and economic problems, domestic and global, that we face. What it certainly is not is the progressive approach some have projected onto Obama. Cassidy ends his article thus:

But for what policy purposes are the masses to be mobilized? According to Obama's program, the answers include another middle-class tax cut; more tax credits for education and fuel-efficient cars; a bigger budget for the National Science Foundation; and the establishment of a National Infrastructure Reinvestment Bank, with an annual budget of $6 billion. At best, these proposals would represent a useful start in redressing the inequities and shortcomings produced by twenty-five years of Republican domination. If the next Democratic president wants to leave a truly lasting legacy, he or she will have to do more than nudge the country in a different direction.

It's something to consider, lest people's unreal expectations be dashed, swiftly come January, against the shoals of reality.

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On a more mundane plane, here's a tidbit about the Senator's Lefthand Man: truly a "Brotha Love." (Just hold the mayonnaise!) Don't get jealous, now....

Monday, 26 May 2008

Around The World (33)

Hello, Around the World is upping the ante from classical - to timeless treasures, which is a bit premature , considering it's 20th century music we get here. And so the first 41 min. we get three Americans in this classical series, Gershwin, Barber and Bernstein. Satie and Shostakovich show up before Orff's Camina Burana highlights brings us back to earth letting Lux Mundi lays down a heavenly gregorian groove to finish.

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George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success. His parents had bought a piano for his older brother Ira Gershwin, but to his parents' surprise and Ira's relief, it was George who played it. Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Hambitzer acted as George's mentor until his death, in 1918.

At the age of fifteen, George quit school and found his first job as a performer was as a "song plugger" for Jerome H. Remick and Company, a publishing firm on New York City's Tin Pan Alley earning $15 a week. His 1917 novelty rag "Rialto Ripples" was a commercial success, and in 1919 he scored his first big national hit with his song "Swanee." In 1916, he started working for Aeolian Company and Standard Music Rolls in New York, recording and arranging piano rolls

In 1924, Gershwin composed his first major classical work, Rhapsody in Blue for orchestra and piano, which was orchestrated by Ferde Grofé and premièred with Paul Whiteman's concert band in New York. It proved to be his most popular work. Gershwin stayed in Paris for a short period, where he applied to study composition with Nadia Boulanger. Boulanger, along with several other prospective tutors like Maurice Ravel, rejected him, however, afraid rigorous study would ruin his jazz-influenced style.[9] While there, he wrote An American in Paris. This work received mixed reviews upon its first performance at Carnegie Hall on December 13, 1928 but quickly became part of the standard repertoire in Europe and the United States.

His most ambitious composition was Porgy and Bess (1935). Called by Gershwin himself a "folk opera," the piece premièred in a Broadway theater and is now widely regarded as the most important American opera of the twentieth century. Based on the novel Porgy by DuBose Heyward, the action takes place in a black neighborhood in Charleston, South Carolina, and with the exception of several minor speaking roles, all of the characters are black. The music combines elements of popular music of the day, which was strongly influenced by black music, with techniques found in opera, such as recitative and leitmotifs.

Early in 1937, Gershwin began to complain of blinding headaches and a recurring impression that he was smelling burned rubber. He had developed a type of cystic malignant brain tumor known as glioblastoma multiforme. It was in Hollywood, while working on the score of The Goldwyn Follies, that he collapsed and, on July 11, 1937, died at the age of 38 at Cedars of Lebanon Hospital following surgery for the tumor.

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Leonard Bernstein ( August 25, 1918 – October 14, 1990) was the first conductor born and educated in the United States of America to receive world-wide acclaim. At a very young age, Bernstein heard a piano performance and was immediately captivated; he subsequently began learning the piano. After graduation from Boston Latin School in 1934 Bernstein attended Harvard University, where he studied music with Walter Piston. After completing his studies at Harvard he enrolled in the Curtis Institute of Music in Philadelphia, where he received the only "A" grade Fritz Reiner ever awarded in his class on conducting.

During his young adult years in New York City, Bernstein enjoyed an exuberant social life that included relationships with both men and women. Bernstein married Chilean actress Felicia Montealegre Cohn on September 9, 1951, reportedly in order to increase his chances of obtaining the chief conducting position with the Boston Symphony Orchestra.They had three children, Jamie, Alexander, and Nina. During his married life, Bernstein tried to be as discreet as possible with his extramarital liaisons. But as he grew older, and as the Gay Liberation movement made great strides, Bernstein became more emboldened, eventually leaving Felicia to live with his lover Tom Cothran.

Bernstein was very highly regarded as a conductor, composer, and educator, and probably best known to the public as longtime music director of the New York Philharmonic, for conducting concerts by many of the world's leading orchestras, and for writing the music for West Side Story. He wrote three symphonies, two operas, five musicals, and numerous other pieces.

West Side Story is a musical based on Shakespeare's Romeo and Juliet, which was based on a narrative poem by Arthur Brooke entitled The Tragicall History of Romeus and Juliet (1562), which was inspired by the legend of Tristan and Isolde. Set on Manhattan's Upper West Side, the musical explores the rivalry between two teenage gangs of different ethnic and cultural backgrounds. The young protagonist, Anton ("Tony"), who belongs to the native Manhattan gang, falls in love with Maria, the sister of the leader of the rival Puerto Rican gang. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theater. Bernstein's score for the musical has become extremely popular; it includes "Something's Coming", "Maria", "America," "Somewhere," "Tonight", "Jet Song", "I Feel Pretty", "One Hand, One Heart", and "Cool".

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Carl Orff (July 10, 1895 – March 29, 1982) was born in Munich and came from a Bavarian family that was very active in the German military. Moser's Musik-Lexikon states that Orff studied at the Munich Academy of Music until 1914. He then served in the military during World War I. Afterwards, he held various positions at opera houses in Mannheim and Darmstadt, later to return to Munich to pursue further his music studies. As of 1925, and for the rest of his life, Orff was the head of a department and co-founder of the Guenther School for gymnastics, music, and dance in Munich, where he worked with musical beginners. Having constant contact with children, this is where he developed his theories in music education.

Carl Orff managed to confuse the nazi's when in 1937, a celebration of the triumph of the human spirit through sexual and holistic balance, based on thirteenth-century poetry found in a manuscript dubbed the Codex latinus monacensis, was performed for the first time, Carl Orf's Camina Burana * . Some nazi's branded it degenerate , others applauded, in any case Orff got away with it, and remained a music teacher all his life, he died 1982.

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Millenium Classics - Timeless Treasures (182mb)

01 - G.Gershwin - Rhapsody in Blue (14:47)
02 - S.Barber - Adagio for Strings (8:36)
03 - L.Bernstein - West Side Story-Prologue (4:23)
04 - L.Bernstein - West Side Story-Somewhere (3:48)
05 - L.Bernstein - West Side Story-Cha cha (1:00)
06 - L.Bernstein - West Side Story-Meeting scene (0:56)
07 - L.Bernstein - West Side Story-Cool (3:57)
08 - L.Bernstein - West Side Story-Finale (3:45)
09 - E.Satie - Gymnopedie - I Lent et douloureux (3:50)
10 - E.Satie - Gymnopedie - II Lent et triste (3:21)
11 - E.Satie - Gymnopedie - LEnt et grave (3:04)
12 - D.Shostakovich - Suite for Jazz-IV Waltz (3:46)
13 - C.Orff - Carmina Burana-Fortuna imperatrix mundai-I O Fortuna (2:55)
14 - C.Orff - Carmina Burana-Uf dem anger-VI Tanz (2:00)
15 - C.Orff - Carmina Burana-Uf dem anger-VII Floret sila nobilis (3:31)
16 - C.Orff - Carmina Burana-Uf dem anger-VIII Charmer, gip die varwe mir (3:35)
17 - Carl Orff - Carmina Burana Reie, Swaz, Chume (IX) (5:12)
18 - C.Orff - Carmina Burana-Uf dem anger-X Were diu werlt alle min (0:57)
19 - Lux Mundi - Masscapella, No.3 (4:59)


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All downloads are in * ogg-7 (224k) or ^ ogg-9(320k), artwork is included , if in need get the nifty ogg encoder/decoder here !

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